There is a voraciously instrumental anti-essentialism, powered in an intense and terrible way by good intentions, that is the intellectual platform from which black studies’ disavowal of its object and aim is launched, even when that disavowal comes in something which also thinks itself to be moving in the direction of that object and aim. I’m trying to move by way of a kind of resistance to that anti-essentialism, one that requires a paleonymic relation to blackness; I’m trying to own a certain dispossession, the underprivilege of being-sentenced to this gift of constantly escaping and to standing in for the fugitivity (to echo Natahaniel Mackey, Daphne Brooks and Michel Foucault) (of the imagination) that is an irreducible property of life, persisting in and against every disciplinary technique while constituting and instantiating not just the thought but that actuality of the outside that is what/where blackness is—as space or spacing of the imagination, as condition of possibility and constant troubling of critique.
Notes
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